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This issue of Dry Clean Only offers a glimpse into the inner journeys of every living person and/or being that struggles to adapt to this world
and select pages from an 1881 lighthouse keeper’s manual that Robert and Max Eggers referenced when writing the script
L'ouvage contient des essais de Gail Stavitsky et Claudine Grammont et un entretien avec Susan Davidson
after the architecture section comes the portfolio of Laurian Ghiniţoiu
The photos were put away in a box and forgotten for four years
Azimuts #60 biceps This issue of Dry CleanFocusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.
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